Through indeterminate acts of nature or nurture, some people are born or bred with the insatiable desire to knock themselves out… gifting. To some, if there isn’t sweat when partaking in the sport of gift-giving, then you haven’t combed the aisles or blinded yourself by the LED light of e-commerce long enough.
I first recognized this peculiar mania in myself when at age ten a friend expressed that she pined magazines or candy for her birthday. In a whirlwind of prepubescent energy and dishwashing allowance money, I proceeded to clean out a magazine stand of every teenybopper rag they possessed and fill a paper bag of Ikea proportions with the king sized candy bars that usually eluded me unless my dad took us trick-or-treating in the ritzy neighborhood. While adult retrospection notes that my friend’s dentist probably would have preferred the gift of a couple magazines and one candy bar, child logic dictated that gift recipients should be spoiled to the same degree of rottenness that my family had always reserved for myself and my sister on gift-giving holidays. Even if money was tight, the little Moon sisters always had a staggering array of store-bought, hand-me-down, or homemade gifts to parade through like pint-sized kings every birthday, Christmas, Valentine’s Day, and Easter. And besides, buying my friend magazines and candy by the bucketful was way more fun than spending my chore money on yet another Now That’s What I Call Music CD.
Thus, the gift-giving fever took hold and replicated throughout my genetic makeup over the next thirteen years, culminating in last Christmas’s ardent desire to make everyone personally-tailored gift baskets (or gift crates and gift ice buckets in some cases). The overzealous process of analyzing each of my loved ones’ personalities, brainstorming potential gifts, imagining up different themes and titles, and then organizing the baskets themselves proved to be so fun I don’t know why I haven’t started seriously considering a career as a professional basket case.
I know this passion (or outright obsession) is a little eccentric and I know I have to warn newcomers to my close circle about the overbearing nature of my gifting, lest they abandon our friendship or break up with me out of shock (because yes, I can count myself among the very few people on this planet who’ve been dumped solely for excessive gifting). But I assure those of you who are coughing “CRAZY” into your hands, I garner sincere pleasure from the chance to plan a gift for someone I care about, and when I have enough money, the right artistic tools for the task, and time aplenty to make everything just right, manifesting the present I’d long visualized is sheer bliss.
That is, when everything goes right.
To foster such a manic love for crafting or comprising pre-envisioned presents means that the collapse of said plans produces equally strong emotions… in the opposite direction. If anyone was ever to accuse me of bipolar disorder, the accusation would absolutely arise from a Christmas in which most of my loved one’s gifts are executed to a T, but one gift goes horribly wrong. Then all that built up excitement and anticipation I’d been harboring for the gift’s completion storms out as irate despair: a great surging, catastrophic, gift-mania flood that only my sister–or Emily’s External Conscience–has ever had to witness. Fortunately for the sake of my sister and my future risk of stroke, my insane gift-giving schemes don’t often backfire to such calamitous proportions, and if anything goes wrong at all, I’m usually just left to sour internal-monologuing about how I wish I could have afforded a nicer piece of jewelry, or how I wish I’d had more time to make that painting look more professional, or how I really wish I hadn’t developed irreversible writer’s block just before finishing that book seven years in the making that was intended as a giant, surprise anniversary present.
In recent years, however, I’ve added someone to my heart’s Excel sheet of loved ones that God, Allah, and that sneaky, scheming Buddha seem intent on sheltering from my voracious attempts at gift-giving. And that person would be my boyfriend.
When you have a significant other and a major, albeit strange, facet of your personality is a life-fulfilling addiction to assembling gifts, the world suddenly embraces you in a haze of polychromatic zeal. Not only do you suddenly have more holidays for which to indulge in the joy of gifting (such as that day devoted to love that you previously spent commiserating with the first half of Bridget Jones’ Diary or the anniversary that you’re not sure whether to attribute to the first date or the first proclamation of, “What the hell, let’s throw caution to the wind and make this official even though you’re graduating from college and leaving in a month!”), but you also have the opportunity to make any old day a gift-giving day because he dotes on you so much that mere holiday gifting could hardly suffice. Thus, as anyone with a knack for algebraic algorithm could tell you, significant other + gift-giving psychosis = absolute, unadulterated euphoria.
Unless of course, you factor in unforeseen variables that hinder or outright sabotage almost every gift you’ve ever tried to give that special someone. Then absolute, unadulterated euphoria tends to be equal or lesser to sheer panic.
To exemplify this mathematical anomaly, let’s examine the evidence. The first birthday present I ever tried to give my boyfriend should have been thwarted by the hurdles of that summer’s time-consuming 16 hour work days, limited space for artistic production, and the 2,761 miles that separated Oregon from Maryland, but miraculously the whole thing came together, arrived on time, and resulted in perfect orchestration. Until I realized that after just four months of dating, I hadn’t yet warned him that I’m a nutty fanatic prone to over-gifting, and had to suffer the consequences of my omission.
After surfacing from that debacle, I was determined to get things right five months later when Christmas rolled around. My first gift, a week-long trip to his family’s beautiful home in Maryland, was set in motion without a hitch. I reserved my plane ticket well in advance, bought a myriad of warm clothes befitting an actual white Christmas (not that unreliable Portland, Oregon shit), put in my two week’s notice a month in advance, and even booked a seat on my vehicular arch nemesis–a Greyhound bus–because the fifteen hour drive from Baltimore to Savannah would be an hour quicker than the three airport layovers that for some godawful reason decelerated what should have been a two hour flight. Ultimately, the planning was impeccable and I was so excited that the bank account I usually had to empty into my private college’s pocketbook miraculously had the quan to fund my cross-country reunion. This gift was perfect.
Until a friend’s birthday trip to Las Vegas gave me a dose of the flu to rival the scale of New York, New York, and the successive, germ-riddled flights from Vegas to Portland and Portland to Baltimore (first flight I’ve ever puked on!) only aggravated my condition, ensuring a good three weeks of fevered incapacitation. I still pity the unsuspecting Marylanders whose Christmas was sieged upon by my Vegas disease like the boa constrictor’s invasive and carnivorous take-over of Florida.
But even if the biological warfare raging in my lymphatic system dared mar my boyfriend’s Christmas, at least there was the physical gift I’d purchased online a month prior. The physical gift that, come to think of it, hadn’t arrived in the mail in time for my departure to Maryland… In fact, no matter how much I heckled the seller, my purchase didn’t arrive at my Portland address until March, when I was well entrenched in a heap-load of college torture in the city of Savannah. Despite my wonderful boyfriend’s unyielding capacity for forgiveness, I was ready to crumple up Official Gift No. 2 and toss it in the dumpster where failed attempts at happy memories go to die for being both the most contagious and latest Christmas gift it had ever been my mortification to bestow.
Now Nutty Gifting Lady (less-famous cousin of Crazy Cat Lady) was really reeling to get things right. But the curse that catalyzes hyperbolic old wives’ tales had officially set in. “Gift yer man wrong once, shame on ye. Gift yer man wrong twice, shame on he for not tossin’ yer virus-plagued body out into the white Christmas ye ruined. Gift yer man wrong thrice, and it’s gift-giving limbo ye’ve sentenced yerself to fer life, me dearie… Cookie?”
After a one-year anniversary gift I’d assumed wouldn’t count in old wives’ ledgers for having gone only slightly awry (arriving in shambles after the United States Postal Service forgot about that “FRAGILE” stamp I’d requested), it seemed certain: I was cursed to flub my man’s gifts for the rest of eternity. Hence it came as no surprise when the next gift I purchased was charged to my card three times, succeeding my bank account and causing me to reevaluate my choice. Fortunately, the original idea I’d forgone due to sold out tickets suddenly opened up when scalpers began pawning off seats to The Oddball Comedy & Curiosity Festival featuring Dave Chappelle and Flight of the Conchords. Hadn’t we been re-watching Flight of the Conchords and obsessing over Jemaine and Bret all summer? And didn’t we love comedy!? AND WERE WE NOT ODD AS HELL!!!???
It all seemed too good to be true. Far too good to be true considering my nightmarish track record when it came to doting on my boyfriend. Thus, as the summer wound down and the date of the festival approached, I jealously guarded those tickets with my life, terrified that at any moment they might blow out the window or spontaneously combust, and absolutely petrified by the thought that my scalper tickets were fake and we’d be denied entry after three months of whooping and whinnying in excited anticipation. That would be the cherry on top of my attempted gift-gifting travesty, and it’s certain I’d shrivel up and die of loss of identity right then and there at an irritable security guard’s feet.
Looking back on it now, I really can’t believe that The Oddball Comedy & Curiosity Festival didn’t explode under the weight of all the old wives’ points I’d racked up for being such a gifting failure. But I guess they’d decided to let me off easy for a change, and the only thing that was truly lamentable about the whole shebang was the abominable bubble font I added to the card.
Fortunately for the more malicious members of the Universal Fate Association (which in this blog entry seems to have witnessed a merger between superstitious wives and a couple vengeful deities), their contracts must have contained only one Let Her Off the Hook clause, and this past Christmas they obviously relished the chance to get back to their scheming.
À la the aforementioned Yuletide Gift Basket Extravaganza, I spent December running around Portland in search of an array of man-things for my boyfriend (tools, Irish whiskey, 2 liter flasks, the likes). The centerpiece of this man-thing assortment was to be a vintage drinking horn that I’d committed to memory months prior when my boyfriend glanced at it and compulsively said, “I want that,” perhaps because it’s Celtic accoutrements appealed to our collectively fervent pride in our Irish ancestry or perhaps because my boyfriend harbors a secret affinity for those Celt-murdering vikings. Either way, so began the drinking horn debacle that’s aptly summed up by a review Amazon repeatedly refused to post until I whittled it down to two measly, inadequate sentences:
I suppose the entire drinking horn fiasco is a lesson never to trust any business that goes by the title The Man Cave (aren’t man caves the dens men retreat to to actively avoid work?). But beyond the opposing concepts of business and men at rest, this experience and the shit storm of unsuccessful gift-givings past has taught me a larger lesson. In the realm of obsessive-compulsions, it’s important to actively practice letting things go astray. While frenetic in its overbearing nature, my gifting isn’t at the top of my obsessive-compulsions list, and as such, I should use its occasional divergence from The Plan as an opportunity to learn to readjust and not set such avid stock in the fate of material presents. After all, gifts are fleeting: physical objects get lost, break, pass from owner to owner, get shelved, and eventually lose their significance, and Oddball Comedy & Curiosity Festivals only last one glorious day. So instead of melting into a melodramatic puddle that my sister has to mop into a dustbin every time one of my big present schemes goes amiss, I should work on my ability to ignore imperfection, to learn from and harness the outcomes of mistakes, and to ultimately accept failure, thereby making my relaxation, flexibility, and optimism one of the best and longest-lasting gifts I could possibly give those closest to my heart.
In the words of a comedic band I didn’t want to admit were aging as I beheld their greying, mutton chop-less visages at the Oddball Comedy & Curiosity Festival, “The city is alive, the city is expanding, living in the city can be demanding.” I’m sure having travelled from the sheep-shearing, Hobbit-roving bliss of New Zealand to all the major cities of the United States, Flight of the Conchords delivers this message with the same heartfelt sincerity that every city dweller employs when they stick their head out a bedroom window and yell, “SHUT UP!” It’s such a commonplace notion that it’s hardly worth stating, but cities are loud and generally don’t come equipped with James Stewart’s euphonic pianist and soprano neighbors in Rear Window. On top of this corroboratory fact, city noise always amalgamates into the same nerve-wracking din no matter how disparate the individual components nor how varied the population size.
At 8 o’clock this morning, I was jostled from a sickbed completely surrounded by flu remedies (including DayQuil, NyQuil, Ricola, Emergen-C, and Sex and the City season 6) by a mariachi album set to full blast, a barbershop quartet of dogs who might have been hyperventilating through their barks, and a car alarm that could easily alert its owner from the middle of the sea. This early symphony–coupled with a daily opus of ever-celebratory fireworks, 2am basketball games, and rival ice cream trucks distinguishable only by their repeated children’s song of choice as they circle the block at least eight times a day–may be specific to my new neighborhood, but downtown Los Angeles is not alone in its incessant emanation of sound. Nor are LA’s outer boroughs, such as Culver City where my boyfriend’s next-door neighbors are constantly regaling the whole neighborhood with drunken arguments at the nightly parties they seem to throw and the entire family downstairs might be diagnosed with Tourette’s.
In a much smaller city on the opposite side of the country, the noise may come in a different flavor but barrages your eardrums with the same torrential force. During my last year in Savannah, Georgia, I moved from a quiet, woodside dormitory where the introverted inhabitants avoided eye contact at all costs, let alone uttered a peep, into an apartment that might as well have doubled as a palace compared to the cubby hole I occupy today. The only downside to Heaven on Montgomery was that it was on Montgomery–one of the busiest streets in town, especially when your block resided in “downtown.” Rather than illegal fireworks and ever-festive mariachi bands, this corner of Montgomery and Alice hosted a cast of noise makers that verify the zaniness John Berendt immortalized in Midnight in the Garden of Good and Evil.
First, there was the “Ey” Man, an older gentleman consistently dressed in what the 1960s would have deemed “the nines” who walked down Montgomery looking pleasantly dapper and intermittently calling, “Ey… Ey… Ey…” Then there was the late night serenader: a young man prone to slowly pacing up and down the street after dark, singing the latest R&B hits at the top of his lungs as if wooing the city itself or simply shouting to hear his voice over headphones. Along with these and several other vocal individuals like an infamously impolite mother, there was a weekly congregation of people who spent hours cackling at the tops of their lungs like a coven of witches while ironically mingling in a church parking lot. And we can’t forget the honk-happy populace eager to lay their entire body weight on the horn at the slightest hint of inconvenience, a far cry from the Oregonians who take extreme offense if you timidly tap the horn by accident.
Immersion in this incessant cacophony from the east to the west can make a girl miss her childhood home in the mountains, where yards that contemporary suburban developers couldn’t fathom separated everyone from even the slightest noises their neighbors might make and any hillbillies keen on disrupting the peace with a blaring horn were hindered by the shoddiness of their rusting trucks. After leaving this quiet respite at the age of nine, you’d think spending the majority of my life amidst the endless hubbub of sirens, babbling passerby, screeching tires, and Savannah’s garrulous night birds, I’d have grown fond or at least accustomed to the soundtrack of city life. But lately if there’s no Enya playlist to drown out the racket, all I can do refrain from leering out my window at the ice cream man is wistfully dream about pattering rain showers, ocean tides, or a future ranch in Montana complete with a team of middle aged corgis to keep me quiet company.